A Pinoy @ The Movies: CONCLAVE

Being a Catholic, I am always fascinated by what goes on inside the Vatican City. The movie Angels and Demons gave us a glimpse into what transpires when a pope dies, but that movie was about conspiracy and murder. Conclave, on the other hand, is about the politics within the College of Cardinals, a group of the most senior priests in the Roman Catholic Church that will elect a pope among themselves.

Starting with a death of a pope, Conclave brings to life brilliant writing delivered by brilliant actors. The movie runs during sede vacante, Latin for 'the chair is empty. It is the time between the death of a pope and the election of a new one, and the election is called a conclave, which was derived from Latin 'con', meaning with, and 'clavis', meaning, key. Translated, it means 'a locked room' because the cardinals are locked inside the Sistine Chapel until they elect a pope (of course, they get to eat and go back to sleep at their quarters to rest at the end of the day (read blog here).

Ralph Fiennes, as the dean of the College, was more like an investigator than a Comelec commissioner. He had to organize an election that would elect the leader of 1.3 billion Catholics but had to ensure that the one they would elect was the right one. 

Although at first, it was weird watching Stanley Tucci as a cardinal with a zucchetto (red cap) covering his bald head, he transformed himself from Runway Magazine's artistic director (in The Devil Wears Prada) to Cardinal Aldo Bellini, an American cardinal who allied with Ralph Fiennes' character. 

John Lithgow, also playing a cardinal, is as brilliant in drama as he is in comedy (his 3rd Rock from the Sun character gave him three Emmy awards!). When Lithgow shows up on screen, he always makes you feel his presence even in a crowd, or in this case, even if it is a room full of cardinals. When he delivers his lines, he makes you feel he has an agenda, one that you, at times, are not prepared to handle.

The beautiful Isabella Rossellini, playing Sister Agnes, holds her own against the cardinals, even though she is relegated to being a head housekeeper of sorts of Domus Sanctae Marthae, the building that serves as a hotel for cardinals where they were sequestered during the conclave. This building is where Pope Francis now lives, choosing to stay away from the papal apartments.

The scenes of the conclave inside the Sistine Chapel should be a treat for any Catholic who dreams of visiting the Vatican and Saint Peter's Basilica one day. Those scenes brought back memories for me when, years ago, I took the tour of the Musei Vaticani that included a stop inside the Sistine Chapel where I spent an hour looking up the paintings of Michaelangelo and praying the rosary while seated on a bench. That day, I also realized the spot where I sat could have seated a cardinal who eventually became pope (read blog here).

Conclave shows us that, even how virtuous cardinals, bishops, or priests may look from where we stand, they are also men, ㅡ humans ㅡ who are also vulnerable to temptation and greed.

There is a scene shot from above showing the cardinals moving forward and carrying white umbrellas. This was a visual spectacle for the audience: the whole screen, TV screen in my case, filled with moving humans immaculately dressed and covering their heads with umbrellas as if shielding themselves from difficulties and challenges but still walking slowly yet forward to whatever lies ahead. 

You have to watch Conclave to let yourself ponder that the leaders of the Church are imperfect and they try to lead through His teachings, and that, as times change, those who lead do, too, making decisions that are required by the changing times.

There are very good lines delivered in the movie, and words like "Judas" and "traitor" were hurled at a cardinal. But there is one quote that really stood out, one that practically sums up our Church:

"Our faith is a living thing precisely because it walks hand-in-hand with doubt. If there was only certainty and no doubt, there would be no mystery. And therefore no need for faith. Let us pray that God will grand us a Pope who doubts. And let him grant us a Pope who sins and asks for forgiveness and who carries on."

#conclave #conclavemovie #vatican #movies #moviereview #ralphfiennes #stanleytucci #johnlithgow #isabellarossellini

Coming Home for My Mother's Tablea Tsokolate and Popped Pinipig

Like all Filipino migrant workers, I always count the days before I fly home for my Christmas vacation. 

Coming home is always the highlight of my year.

For me, being home in the Philippines is not only a way to escape the freezing temperatures of a gloomy winter in Korea, but also a way to forget work and the challenges of being a migrant worker. And when I am finally home excitedly awaiting the arrival of Christmas Day, my mother always made sure she has tablea tsokolate and evaporated milk on hand so that we would all be able to enjoy the family tradition of enjoying this hot beverage together.

Since we were kids, the family would wake up to a Christmas Day breakfast of my mother’s tablea tsokolate, ensaimadas, and at times, pinipig that I would soak into a warm cup of the tsokolate. Tablea tsokolate is a chocolate beverage made from cacao beans that had been dried under the sun, then roasted and grounded. For measured consumption and easy storage, the grounded beans are molded into tablet form, thus tablea, the Spanish word for ‘tablet’. According to food historians, the cacao beans and the chocolate beverage were introduced to the Philippines from Mexico during the Manila-Acapulco galleon trade that started in 1565 and ended in 1815. Although there are now fewer cacao farmers selling unsweetened tablea tsokolate at local traditional markets here in the Negros Island, commercial manufacturers make it available at supermarkets in sweetened tablets.

My mother has her own way of preparing tablea tsokolate. 

She starts by grinding into powder form all the tablets from a whole pack. Since the tablets are already sweetened, she does not need to add sugar. My mother says grinding them will make it faster for the powdered chocolate to melt. She then pours five 350ml cans of evaporated milk into a sauce pan, mixes in the grounded tablea tsokolate, and stirs the mixture over low heat to make them espeso, the term she uses to describe the mix when it becomes thicker and its aroma starts to waft all over the kitchen – an aroma of the blend of the chocolatiness of the tsokolate and the creaminess of the milk that, when I take a whiff of it, always brings back memories of past Christmases when we used to enjoy this with our grandparents. My mother does not add water to the brew because it would make it aguado or watery.

While espeso is the Spanish word for thick, it is caring hands and patience that are needed when making tablea tsokolate as the slow, continuous stirring could last for about half an hour, depending on the quantity of evaporated milk used. My mother was still very young when she was taught how to make tablea tsokolate by her elders who have long passed, and other than the recipe and the skill, she also inherited the old copper pitcher called chocolatera, and the batirol, the whisk that was made from the wood of a guava tree.

When the hot beverage has finally achieved espeso quality, my mother pours a portion into the chocolatera and uses the batirol to whisk the hot liquid. This procedure not only produces the foam on the drink but also adds a good stir to the tsokolate before it is transferred into a porcelain cup to be enjoyed.

It has been centuries since the first cacao beans crossed the Pacific Ocean from Mexico, and although the Aztecs called it Xocolātl, the original Nahuatl word for chocolate, Filipinos have called it sukwate or sikuwate in the Visayas, sikulate in Mindanao, suklati in Pampanga, and of course, tablea or tabliya in our own Hiligaynon language. And although tablea tsokolate may have a foreign origin, we have made it our own, even pairing it with rice as our elders would simply pour tsokolate over it, or in my case, with pinipig. But be it with rice or pinipig, it is an original Filipino experience.

The popped pinipig, on the other hand, is a much easier task, something that I can probably manage on my own. Pinipig is flattened glutinous rice that was harvested two weeks before maturity. It is then roasted over low fire using a kalahâ or large wok, and then transferred into a wooden mortar called lusong in order to be flattened using a hal-ong or wooden pestle. The chaff is then separated from the pinipig using a winnowing basket or bilao. Pinipig is sold by the kilo, or fractions of it, in traditional markets.

In order to make popped pinipig, my mother brings to a boil the cooking oil in the saucepan and when it does, she throws in a handful of pinipig that quickly pops in the heat. The popped pinipig is immediately scooped out with a strainer to avoid overfrying. And since we only need a bowl of popped pinipig, only a few handfuls were enough. After popping, the pinipig has become crunchier and softer to eat (read blog here).

And as we now sit down together for our Christmas breakfast tradition and are gathered around a table full of blessings, our family is always grateful. To others, the ensaimadas, tablea tsokolate, and popped pinipig may just be another type of bread, hot beverage, and flattened rice, respectively, but for us, they represent the taste and flavors handed down to us by our grandparents and elders, all of whom we continue to remember and honor when we enjoy these ourselves.

Soon, I would leave home again, and how I wish the flavor from each sip of my mother’s warm tablea tsokolate would forever remain in my palate. 

But however long a time I have to endure until my next Christmas vacation, all the anticipation and yearning are always forgotten whenever I am once more surrounded by my family and enjoying my mother’s tablea tsokolate and popped pinipig on Christmas Day.😍

#OFW #migrantworker #tableatsokolate #christmas #christmasholidays #essay #pinoyofw

A First Class Relic of San Diego de Alcala at San Diego Pro-Cathedral in Silay City, Philippines

Years ago, I walked the streets of Alcala de Henares, a fascinating city 25 minutes by train from Madrid (read blog here). It was only when I was planning for that trip that I learned that Saint Didacus, or San Diego de Alcala, the patron saint of pro-cathedral of Silay City, Philippines, died in that Spanish city. Since then, every time I was inside the church named after San Diego, I always remembered the day when I walked the streets of Alcala de Henares where he is now buried. 

Early this year, I was in Silay City with my friend Binky because we wanted to enjoy the native delicacies of the city at El Ideal Restaurant (read blog here). Luckily, we were at the right time and the right place as the first-class relic of San Diego de Alcala was being brought to rest permanently at his cathedral in Silay City.

Our tummies filled with Silaynon delights, we stood by the main street to help welcome his relic alongside the religious organizations and parishioners of Silay City.

A lady from one organization shared with us a pamphlet about the relic that includes a prayer below. 

The relic is now permanently placed in a veneration room at the right side of the cathedral when you are facing the altar. You can visit the relic during the day when there is no mass being celebrated.

                               

                                 * * * * *

What is a relic?

Relics include the physical remains of a saint (or of a person who is considered holy but not yet officially canonized) as well as other objects which have been "sanctified" by being touched to his or her body.

Why do we venerate relics?

1. To express gratitude to God

2. They are a channel and instrument of God's grace

3. We recall the saint's holy life and pray for the grade to achieve what they achieved, i.e., eternity with God in Heaven.

What are the classes of relics?

First class: The highest form of relic that refers to a piece of the body of the saint such as bones, hair, blood, and flesh.

Second class: These relics are items that belonged to or were used by the saint, such as clothing, books and rosaries, or an instrument used in the torture or death of a martyr.

Third class: These are items such as a rosary, piece of cloth, or prayer card that has been touched to a first or second class relic.

                               * * * * *

PANGAMUYO (PRAYER)

O DIOS NGA LABING GAMHANAN, 

NAGAPAKILUOY KAMI SING MAPAINUBOSON 

NGA PAAGI SA MGA PAG-AMPO NI 

SAN DIEGO DE ALCALA.   AMON 

MAPANGABUHI ANG IMO PAGSULUNDAN. 

GUINAPANGAYO NAMON INI SA IMO, 

PAAGI KAY KRISTO NGA AMON GINOO. AMEN.

                             * * * * *

                          

                             ORACION

O GINOO, IMO GUINHATAGAN SANG KUSOG 

KAG KABAKOD ANG MGA MALUYA, 

ITUGOT NGA MAPANGABUHI SANG IMO 

TUMULUO ANG MGA BIRTUDES NI 

SAN DIEGO DE ALCALA, SA ATON 

PAGPANGKALATON PADULONG SA 

KABUHI NGA WALAY KATAPUSAN. 

GUINAPANGAYO NAMON INI SA IMO, 

PAAGI SA KAY KRISTO NGA AMON GINOO. AMEN.

                                   * * * * *

#sandiegodealcala #saintdidacus #silaycity #silay #philippines #catholic #cathedral 

Cinco de Noviembre History in Terracotta Art Created by Mr. Ramon de Los Santos

On November 5, 1898, the Negrenses successfully revolted against Spain and set up their own Republica Cantonal de Negros (read history here). November 5 is a holiday in the Negros island.

And to celebrate the historical event, the Silay City Tourism exhibited these terracotta figures created by Mr. Ramon de Los Santos at the Silay City Art Space and Showroom.

Here are his amazing terracotta figures representing the Negrense revolution of 1898.😍

Mr. Ramon de Los Santos is an artist and sculptor, and is an active member of the Association of Talisay Artists and the Art Association of Bacolod Negros.

These terracotta figures are now part of the permanent collection of the Balay Negrense Development Corporation that is showcased at the Balay Negrense Museum in Silay City, Negros Occidental.😋

#silay #silaycity #cincodenoviembre #philippines #philippinerevolution #negros #history #art #artist

The Victorias Catholic Cemetery: Honoring The Donors, Don Gonzalo Ditching and Doña Simeona Jingco, And Remembering Their Generosity

     (The entrance of the Victorias Catholic Cemetery)

In Chapter 27 of The History of Victorias, I was able to trace the journey of Don Gonzalo Ditching and his family from Fujian in China to Binondo (read blog here), although another chapter is planned to narrate the Ditching clan's journey from Binondo in Manila to Molo in Iloilo in the late 1890s, and finally to the growing town of Victorias in the northern part of the Negros Island in the Philippines in the early 1900s.

But since it's All Souls' Day and our Filipino tradition reminds us to visit our departed buried in the cemeteries, we must remember the benevolent donors of the land where the Victorias Catholic Cemetery stands today.

Of all hacienderos in Victorias in the 1900s, Don Gonzalo Ditching was the largest land owner with 500 to 700 hectares to his name, and according to his descendants, their great grandfather wanted to share his land with the people of Victorias, and one of these donations is now the Victorias Catholic Cemetery.

(The center of the Cemetery is where Catholic masses are held during All Saints' Day and All Souls' Day)

Before the creation of the Victorias Catholic Cemetery in the 1960s, the old cemetery was in the Malinong area in Barangay 7. Way back in 1934, a cemetery in the Malinong area was where all our departed in Victorias were buried. This must have been the origin of the name 'malinong', a Hiligaynon word that means serene or peaceful. During those years, after the requiem mass was said for the dead at the old Our Lady of Victory Parish church, the funeral procession would pass through the road (now known as Magsaysay Street) up to Malinong.

That time, Magsaysay Street used to be full of trees that were later cleared to create a dirt road that would serve as a path for a funeral procession from the church to Malinong. Yes, that was the original purpose of Magsaysay Street. This path was later named Magsaysay Street after President Ramon Magsaysay, who died on March 17, 1957 (read blog here).

But decades later, the cemetery in Malinong became too congested as the town and its population grew. They had to find a new site for another cemetery in the 1960s, and this was when the wishes of Don Gonzalo and Doña Simeona to donate a large piece of land that would serve as the final resting place for the departed Victoriahanon were finally realized.

Measuring about 19,813 square meters, the Victorias Catholic Cemetery was donated by the Ditching clan to the Diocese of Bacolod, and the Cemetery is now in the care of the Our Lady of Victory Parish. 

After clearing the land of trees and vegetation, the cemetery plan was drawn up, and the coffins, bones and sacred soil in the Malinong cemetery were transported to the new cemetery. If a family of the departed was not able to arrange for a new grave at the new site, those bones were put together in a common grave that is now called 'katilingban', meaning, a community. 

(The 'Katilingban' at the Victorias Catholic Cemetery)

In a public cemetery, a 'katilingban' is a small block of concrete where bones of the nameless dead from graves that had to be unearthed are buried. This is where you can light a candle for a departed whose grave or bones could no longer be located, or whose remains were exhumed and transferred to the common grave.

Before families visited their departed loved ones on November 1 or 2 every year, family members would visit the grave days before to have it cleaned or repainted white to prepare it for a proper visit by the family. Masses for the dead are held during those days at the cemetery.

With this huge land that he gave up for no monetary compensation, Don Gonzalo Ditching should be honored by the City of Victorias for this generosity of providing a resting place for the departed Victoriahanon. 

According to his descendants, this cemetery was not the only piece of land that he freely gave to the town as he was also the donor of the land where the Victorias City Hall and the Victorias Public Plaza stand today, and for this alone, he should also be given proper recognition. 

That claim of him being the donor of the land of the município and plaza is one thing that I could believe as I was able to disprove another claim of some people in position that it was Alejandro Acuna Yap-Quina who donated the land for the municipio and town plaza. The land that was donated by Alejandro Acuna Yap-Quin was located next to the Malihaw River as per the description of its exact  location narrated by the former mayor Esteban Jalandoni in his memoirs (read blog here). I have always believed that the donors of the land of the município and public plaza were the hacienderos who owned land that was situated near the current city center.

So, when we all visit the Victorias Catholic Cemetery to light candles for our departed, we also remember the kind Victoriahanon who donated the land where all of our departed are resting in eternal peace.

Madamo guid nga salamat, Don Gonzalo Ditching and Doña Simeona Jingco.🙏

(The marker inside the Our Lady of Victory Parish church remembering the generosity of the individuals who donated land and resources to the Parish)

(Read the chapters of Victorias History here).

#cemeteries #catholiccemeteries #publiccemeteries #undas #allsaintsday #allsoulsday #victoriaslgu #victoriascity #history #historian #philippinehistory #ditching #gonzaloditching

History That You Can Touch: 1821 Mexican Reales Coin Used In The Philippines During The Spanish Period

In the last history blog about old coins, I featured my 1898 US dollar coin. That coin was minted in the year when the Negrenses, the people of Negros island in the Philippines, successfully revolted against the Spaniards. That successful revolt is being celebrated every November 5 in the province of Negros Occidental as Cinco de Noviembre, a non-working holiday in the whole province.

After that successful revolution in 1898, the local officials of the small settlement of Victorias asked the newly installed government of the Republic Cantonal de Negros that Victorias be named a town and not just a mere barrio, according to the Memoirs of Esteban Jalandoni, the former secretary and mayor of Victorias. Their request was granted. This means that the year "1876" used in the official logo of Victorias City is wrong; it should be "1898". If there was any resolution or decree during the Spanish times that installed Victorias as a town before 1898, it must have been overturned in the years that followed because of the very low income generated by the settlement at Daan Banwa. For settlements that had bigger income and population, they were elevated to the status of a town. If they had poor income, they remained a barrio. This case could have been repeated in 1902 when the provincial officials again wanted to classify Victorias as a barrio, instead of a town because of its low income. But because of the intercession of former Negros Occidental governor, Melecio Severino, it stayed a town (Read Chapter 6 here). 

The earliest year that we could deduce from the stories narrated in the Memoirs of Esteban Jalandoni that proved that there was a settlement in Daan Banwa was before 1849 when there was a fatal stabbing incident in the Daan Banwa settlement. The narration of the crime did not include the year it happened. The crime had to be reported to Himamaylan, the capital of Negros Occidental at that time. It was only in 1949 that Bacolod became the provincial capital. The reason why the stabbing incident had to be reported to Himamaylan was because the Daan Banwa village was neither part of Saravia or Manapla. If it were, reporting it to the municipio of either Saravia or Manapla was enough, but since the incident had to be reported to Himamaylan meant that Bacolod was not yet the capital and that this stabbing happened before 1849.

These were specific events in the history of Victorias that came to mind when I held this 1821 coin. I wondered: how many families were already living in 1821 at the mouth of the river we now call Malihaw in an area we now call Daan Banwa? If there were, did these families come from Panay or Bohol, or other parts of the Visayas?

During the Spanish period, the coins used were from Mexico, the reales, and these coins were demoninated in 8-reales. The coins were brought to Las Filipinas via the Galleon Trade that started in 1565 until 1815. The Galleon Trade stopped because Mexico waged war against their Spanish colonizers to gain independence.

When this coin was minted, it was the year when the Viceroyalty of New Spain (Mexico was then called 'New Spain') ended its administration over the Philippines became Mexico achieved its independence from Spain on August 13, 1821. The Viceroyalty's supervision over  Las Filipinas started in 1565 when Miguel Lopez de Legazpi started its Spanish colonization. After 1821, the Philippines was governed directly from Spain until 1898, and this coin was used in the Philippines during that time as the currency.

This coin's obverse (front side) features the view from the right side of King Ferdinand VII's face and head with the words "FERDIN VII" for King Ferdinand VII of Spain, and "DEI GRATIA", meaning, 'by the grace of God'. The "1821", the year it was minted, is written below it. King Ferdinand VII reigned twice: in 1808, and 1813 until he died in 1833.

The reverse shows the words "HISPAN ET IND REX", meaning 'Spain and the King of Indies'. It also shows a crown over symbols of crowned lions and castles that are sandwiched by the two columns of Hercules that are wrapped by ribbons. The dollar symbol ($) which has two vertical lines wrapped by ribbons is said to have originated from this symbol.

This coin has some silver content and weights 27 grams. As the Mexican reales coin was widely circulated in Mexico, the Philippines, and other Spanish colonies in the Americas, this coin must have had changed hands thousands of times since 1821. From Hispanic merchants to Chinese traders and to peninsulares, insulares and indios, and even pirates, this coin's history is more interesting than its design and commercial value.

This Mexican reales coin was the last of its kind as this was minted while Mexico was still under Spanish rule. Starting 1822, Mexico minted its own reales as an independent country.

(PHOTOS of the 1821 Mexican reales coin were taken at the Victorias City Hall and Victorias Public Plaza.)

#oldcoins #oldcoinscollection #mexico #mexicanreales #Spanishcoin #Spain #Philippines #numismatics #history #historians #Philippinehistory #coincollecting #VictoriasCity #victoriaslgu #Negros

The Anti-Red Tape Authority: Our Experience And How It Works For The People

Two months ago, I attended the hearing of the Committee on Anti-Red Tape (CART) in my hometown. The hearing was convened based on the instruction from the Anti-Red Tape Authority (ARTA), a body created by Republic Act No. 11032, that is "tasked to oversee and implement the national policy on ease of doing business and anti-red tape in the Philippines". ARTA is under the Office of the President of the Philippines.

The hearing was about my mother's complaint against a sitting city councilor who ignored our two requests to meet with her to discuss the implementing rules and regulations on the longevity ordinance that gives cash benefits to the elderly who are 80 years old and above.

My mother was turning 90 years old in September, but she could not receive the cash benefits of P15,000 for the elderly aged 90 to 99 years old due to the August 31 cut-off. These cash benefits were distributed during the Filipino Elderly Week on the first week of October. She would have to wait until next year to receive it, and so, we wanted to talk to the councilor who headed the committee for senior citizens about this. The city ordinance that authorizes the cash benefits does not mention any August 31 cut-off. This was what we wanted to discuss because, according to the CSWD staff, the implementing rules and revisions thereto were the responsibility of the councilor.

After a month of waiting for any action on our requests from the office of that councilor, we decided to use the law to remind this councilor of her duties as a public servant. 

Republic Act. No. 11032, officially titled, "An Act Promoting Ease of Doing Business and Efficient Delivery of Government Services, Amending For the Purpose Republic Act No. 9485, Otherwise Known as The Anti-Red Tape Act of 2007, and For Other Purposes", allows ordinary citizens like us to lodge complaints against lazy, incompetent and unfit public officials.

At the hearing, I asked the presiding officer how many times had the CART been convened to hear any complaint, and she said it was the first time ever this happened. So, there, my mother made history! 

The hearing was attended by department heads and representatives of some department heads, but, to our disappointment, the councilor who was subject of the complaint did not even bother to show up. I found this disrespectful to the us, the complainants, and to the Committee. She must have felt that she was above the law. (Now, she has the gall to run for councilor at the next elections!😡).

Filing a complaint at the ARTA can be intimidating as the process tests your patience and determination to see the complaint through. For anyone who loathes bureaucracy, it would test you. But, fortunately, I have the patience of a Tibetan monk and the determination of Carlos Yulo to stick a landing after a three-and-a-half twists at the floor exercise.

Also, the local mayor, who is the chair of the CART, did not attend the hearing. And as my mother's representative, I was surrounded by about 20 city officials and employees who were department heads, staff, a councilor, a lawyer, a cameraman and recorder, and maybe a few ghosts of dead mayors who wanted to watch and listen to my performance.😃  

I told the Committee that it was very disappointing that I could not ask the councilor about the things she wrote in her response to my mother. I also told the Committee that, modesty aside, I was a writer and have won writing competitions locally and overseas, and I knew how to dissect a letter. I told them that the letter-response had 916 words but none of them was 'sorry', or 'apology', or 'apologize', or even a 'salamat'.

The consolation we received was that the department heads and the male city councilor present apologized to us and admitted that my complaint was "an eye-opener" for them, and that they needed to conduct a seminar again for their staff to remind them about the real public service, and probably to be extra nice to me when my shadow appeared in the corridors of the city hall.😀 

They also promised to take actions to prevent this from happening again to other local citizens.😉

I really don't care if, now, there's a big 'X' mark on my back.But at least, we tested the system and it seemed to work.

Since the councilor did not attend, and did not even apologize, the case had no closure. And since there was no closure, ARTA asked us to prepare a sworn affidavit so that they could file a case against the councilor in the proper court.

But my mother was tired of all this bureaucracy, and we believed that it would be embarrassing to the whole city, and humiliating to the sitting mayor, the Sangguniang Panlungsod and the rest of the city hall employees because, if this case became news, people from other towns would think that we voted for public officials who were lazy, incompetent and useless.😡

Remember this "3-7-20 Day Rule" under the Republic Act No. 11032: 

• SIMPLE transactions/communications must be completed by the government office concerned within three (3) days;
• COMPLEX transactions/communications within seven (7) days; and
• HIGHLY technical transactions within twenty (20) days.

So, if you think any government office - national, regional, provincial, local, or even at the barangay level - ignores your request or communication, do file a complaint against them. Why? Because we deserve a better government!😋

                               * * * * *

This is the website of the Anti-Red Tape Authority where you can file your complaint:

https://arta.gov.ph/

The email address of ARTA for your questions:

Complaints@arta.gov.ph

#ARTA #antiredtapeauthority #redtape #goodgovernance #corruption #publicservice #publicservants #Philippines 

History That You Can Touch: 1898 United States One Dollar Coin

On November 5, 1898, the Negrenses successfully revolted against the Spaniards and set up their own Republica Cantonal de Negros. According to Señor Esteban Jalandoni, our former town secretary and mayor, in the year 1898, the barrio officials of Daan Banwa went to ask the officials of the newly established Negros government for approval that the Daan Banwa settlement be officially declared a town. It was granted.

In 2019, during my early research about the history of Victorias, I noticed that the official seal of Victorias City contained the years "1906" and "1998". The "1998" was correct as this was the year Victorias became a city, but the "1906" was wrong because Victorias was already a town before 1906. I officially informed the Sangguniang Panlungsod of Victorias about this error in November 2022. The official seal was finally corrected a month later, only after I pointed out the error. The error has been sitting there since 1998, until I came along (read blog here). 

If Señor Jalandoni wrote in his memoirs that the Daan Banwa officials had to ask in 1898 the approval from the new Negrense government, this means that Victorias lost its status as a town or municipality if ever it was granted that status before 1898. In his memoirs, he mentioned that the income of the Daan Banwa settlement even in the late 1800s was so small that it was just considered a barrio or another village, and not worthy to be recognized as a town. In 1902, again, it almost lost this status as a municipality because of its poor income (read blog here). So, the correct years that should be seen on the official seal of the city are "1898", the year it was recognized by the Republica Cantonal de Negros, and "1998", the year it became a city.

This coin was minted in the year when the Philippines, along with Cuba, Guam and Puerto Rico, was sold to the United States for US$20 million through the Treaty of Paris, the treaty that ended the war between the United States and Spain. This treaty signalled the end of the Spanish Empire and the birth of the United States as a world power.

This is what is called the Morgan dollar, named after George T. Morgan, the designer and the United States Mint Assistant Engraver. It's made of silver and weighs 26.73 grams. Its diameter is 38.10 millimeters and must have been minted in Philadelphia.

The obverse (main side) shows the profile of Lady Liberty with the words "E PLURIBUS UNUM", the motto of the United States that means "out of many, one". The year "1898" is at the bottom. The model for Lady Liberty was a real person, Anna Willess Williams, who was a teacher and philosopher. She is said to have a Grecian type of nose, which is a prominent feature of the profile in the coin.

The reverse shows "UNITED STATES OF AMERICA" and just below it are the words "IN GOD WE TRUST". The center shows an eagle with wings spread, and "ONE DOLLAR" is engraved at the bottom.

Also in 1898, Iloilo Province successfully revoted against Spain. On November 17 that year, the first-evr raising of the Philippine flag outside of Luzon happened in Santa Barbara, Iloilo (read blog here).

On to the next coin...😎

(Photos of the 1898 United States One Dollar were taken across and in the Victorias Public Plaza).

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