Monday 15 July 2024

The Stained Glass Artwork of Saint John Bosco and Saint Dominic Savio @ The Mary Help of Christians Church, Philippines

More than a decade ago, I was kneeling in front of the altar of the Basilica di Santa Maria Ausiliatrice in the Don Bosco Valdocco district of Turin, mesmerized by the huge painting made by Tommáso Lorenzone where one could see at the center the Virgin holding a scepter with her right hand while carrying the Child Jesus on her left and surrounded by Apostles, Evangelists and angels. This has become the most familiar image to all Bosconians in the world, a painting that was created based on Don Bosco's detailed instructions. Today, inside the church named after her in the northern part of the Negros Island in the Philippines, separated by 11,000 kilometers of land and sea from Turin, I am again mesmerized, not by a painting but by another art form, and not of the Virgin but of her saint, Don Bosco.

At the wall of the eastern transept of the Mary Help of Christians Church inside the Canetown Subdivision of Victorias City, is a huge stained glass window that presents Saint John Bosco and Saint Dominic Savio in a familiar garb with a familiar background.

Saint John Bosco is wearing a barong tagalog, a Filipino shirt worn during formal occasions, in light gray and pants in tones of brown. Wearing a crucifix around his neck, Don Bosco is holding Saint Dominic Savio, his student who died at the age of 14 and was later canonized a saint. With both hands clasped together, Dominic Savio is also wearing a barong with blue and white geometric designs in front and light blue pants. 

Their background shows the northern Negros landscapes: mountains that can be seen when looking towards the east, and blue skies as well as a bright red-orange glow of a sunrise when God bestows upon the island a gift of anther day.

Both saints are standing on the fertile Negrense soil surrounded by sugarcane plantations depicted by a rich growth of green sugarcane leaves with rows of canes symbolizing the main produce of the island and the working sugar factory of Victorias Milling Company (VMC) with four of its six chimneys blowing out smoke. At the lowest part of the artwork is a small part of the railroad tracks supported by sturdy railroad ties made of wood. VMC used to have a railroad network of about 400 kilometers that meandered around haciendas and sugarcane plantations in northern Negros where its locomotive trains hauled sugarcane to the mill.

The halos of the two saints are drawn around their faces by lead rods formed in a circle, while the wrinkles on the forehead of Don Bosco, symbolizing his wisdom, are formed across his forehead. Impressive! Creating such beautiful stained glass windows require artistry, creativity and skill. I was told that a Mr. Boy Verdeflor made some of the stained glass artworks inside the Church.

The Don Bosco Technical Institute was established in 1952 inside the compound of the Victorias Milling Company after the Salesian Order in Hong Kong accepted the offer of VMC founder, Don Miguel Jose Ossorio, to open a school in VMC; that was 72 years ago. The Salesians of Don Bosco itself, founded by the Saint himself in December 1859, has 14,486 bishops, priests and novices in 133 countries around the world today. That was 164 years ago, and they continue to mold the minds and the character of the young with the teachings of the Saint.

The Salesians of Don Bosco are "open to the cultural values of the countries in which they work and try to understand them and welcome their values, to embody the message of the gospel." Seeing Don Bosco and Saint Dominic Savio in Filipino barong makes me believe that the saints are one with us Negrenses and Filipinos.

Stained glass windows require daylight to reveal its beauty. I would want to visit the Mary Help of Christians Church again one sunny morning.😊

#Donbosco #SaintJohnBosco #SaintDominicSavio #DominicSavio #Bosconian #MaryHelpofChristians #Catholic #Saints

Wednesday 12 June 2024

My 1744 Murillo Velarde Map and The Philippine Independence Day

                  (My 1744 Murillo Velarde map)

In my blogs about the history of hometown, I have shared stories about the old black-and-white photographs from our family's collection. Digging into the stories and researching about the faces in the photographs were always rewarding, satisfying, and most of all, fun. I do this because history and stories about our past are meant to be shared, especially with the younger and future generations. And in doing this, what I discovered in the past years of researching and writing about my discoveries has always remained true: black-and-white photographs always tell the most colorful stories.

In this post to commemorate the 2024 Philippine Independence Day, I am sharing another historical artifact: my own 1744 Murillo Velarde map.

The 1744 Murillo Velarde map is the reduction of the 1734 map of Padre Pedro Murillo Velarde, a Jesuit friar, scholar and cartographer. This means that the 1744 map is a smaller version as it does not include the 12 illustrations that accompanied the original 1734 map.

The story about the 1734 Murillo Velarde map is a fascinating part of Philippine history.

Padre Pedro Murillo Velarde was a priest and a very learned person. He was an authority on many matters during his stay in Las Filipinas, and was an author of the Jesuit history in the Philippines. So, when King Philip (Felipe) V of Spain, who reigned from 1700 to 1746, ordered Fernando Valdes Tamon, the governor-general in Las Filipinas from 1729 to 1739, to provide him a map of his property in the east, Padre Pedro Murillo Velarde was tasked to do the project. 

King Philip ordered a detailed map to be made because he must have wanted to see for himself how his archipelago, located in another part of the world, looked like. During the Spanish colonial period, the Spanish decrees followed the feudal theory that it was the monarcy that owned all of the land. That is the regalian doctrine. Felipe V owned all the islands, although I am not sure whether he knew then that they all numbered more than seven thousand, high tide or low tide. 

Two indios, Francisco Suarez and Nicolas de la Cruz Bagay, helped in the creation of the map. Suarez drew the fascinating illustrations (and probably the images featured in the map itself) on both sides of the map while Bagay, a Tagalog who was in the employ of the Jesuits, engraved the map on the copperplates. Nicolas Bagay also helped in the printing of Jesuit books until his death. The 'project' took them about a year to complete and the finished product, officially named "Carta hydrographica y chronographica de las Islas Filipinas", was the most comprehensive and accurate, compared to what was already done at that time. It was called the first scientific map of the Philippines, naming 900 towns, regions and places, which to me, is already impressive; although I have not yet counted all the names in my map, not that I have any plan to.

Unfortunately for us, in 1762, the British attached Manila which caught the Spanish authorities by surprise. The attack happened on September 23 and the British finally captured Manila on October 6, 1762. Historians wrote that residents in Manila were either raped, tortured and killed, and offices and homes looted. Part of the loot was the eight copper plates of the 1734 Murillo Velarde map. The British commander, Brigadier General William Draper brought these plates to England and donated them to Cambridge University, his alma mater. The University then printed a few copies of the map, one of which ended up in the hands of the Duke of Northumberland who kept it at his Ainwick (pronounced an-nik) Castle. Those copper plates were later melted by the British to make their own charts. The engraving work of Nicolas Bagay of the map of Padre Pedro and the drawings of Francis Suarez disappeared forever.

That copy of the map kept by the Duke of Northumberland came into light when the current and 12th Duke decided to sell some treasures in his valuable collection to fund the repair of the drainage system in his land. The Duke auctioned off at Sotheby's about 80 art objects, and the 1734 Murillo Velarde map was labelled by the auction house as Lot #183. And in a successful bid over the phone, entrepreneur Mr. Mel Velarde bought it for an equivalent of almost Php 13 million. After more than 200 years, Mr. Velarde brought back the map to the beautiful island that are drawn on it.


              (Galit, Panacot and Lumbay shoals)

This map became part of the evidence furnished by the Philippine government when it filed in 2013 a complaint against that invader at the arbitrary tribunal that was constituted under the United Nationals Convention on the Law of the Sea. The tribunal ruled in favor of the Philippines in July 2016. I realized that even from centuries past, Padre Pedro, Nicolas and Francisco helped us in this symbolic win against today's invaders. Then, in the early 1700s, they might not have realized that their drawings and the names of the shoals Galit, Panacot and Lumbay - the ones near Zambales in Luzon, and the three groups of dots representing the Kalayaan Island Group, or the Spratlys, which they called Los Bajos de Paragua (Paragua was the old name of Palawan) in 1734 were of tremendous help in our fight for our sovereignty in the early 21st century. 'Panacot' is Scarborough Shoal, named after a trading ship, SS Scarborough, that was shipwrecked in that area in 1748. These shoals were called by the Spaniards Bajo de Masinloc because they were nearest (about 240 kilometers) to the town of Masinloc in Zambales. The invader claims that it is theirs because it is within the several lines that they drew on the South China Sea with their greedy imagination. 

      (Bajo de Paragua - Kalayaan Island Group)

As I stare at the map, I wonder: how many other Spaniards and indios contributed to this map that is now known as "the mother of all Philippine maps"? 


                       (Negros island of 1734)

According to the article of Mr. Jorge R. Mojarro, Padre Pedro gathered all existing maps, charts, and any geographical information available at that time and studied them to come up with his 1734 comprehensive version. And all those maps of the archipelago that he used as references must have been prepared by other Spaniards and indios who lived in that specific region or island. This made me ask, was the person or persons who mapped out our Negros island totally surprised when the map they finally drew of the Negros island was shaped like a foot? In the first place, did some cartographer from Europe taught them how to map out an island? I wonder how they accurately drew the curves of the coastlines or the ridges of the land. Did they travel by boat around an island until they reached the point of their origin? Did they venture into the forests and encountered wild animals and huge snakes until they came close to the foot of Mount Kanlaon or Mount Mayon? In the map, both are drawn properly, by the way. It was easy for one to overlook the effort and time, and probably lives lost as well, that were spent to create this. But rather than just staring at it, I am in awe of those hands from centuries past who created what Mr. Mel Velarde calls "the map being the one true land title of every Filipino". 

But as we again celebrate our Independence Day, we ask ourselves: are we really independent? Have we gotten rid our country of colonizers and invaders who, like the attack in 1762, are catching us by surprise?

Yes, at first glance, the map may look crude and unappealing. But through their magnificent work from 290 years ago, Padre Pedro Murillo Velarde, Franciso Suarez, and Nicolas Bagay still remind us not to take for granted the freedom and liberties the Filipinos of centuries past had worked hard for.

Happy Independence Day!

Maligayang Araw ng Kalayaan! 


Sources:


#murillovelardemap #map #Philippines #philippineindependenceday #arawngkalayaan #history #historian #victoriashistory #victoriaslgu #negros #maps #essay




Saturday 25 May 2024

When Cecile Licad And Tchaikovsky's Piano Concierto No. 1 Made My Christmas

In 1987, fresh from passing the CPA board examinations, I flew from Bacolod City to Manila in order to find work. Armed with my new CPA license, degrees in Economics and Accounting, and a transcript of scholastic records that was littered with very good grades, I found a job as a junior auditor in an accounting firm in Makati. It was a good place to start a career, I told myself. 

As a new employee, I did not have vacation leave credits that would have allowed me to go home for Christmas. Worse, as a new employee, my starting salary could not even afford me to buy a plane ticket home.😭

But I was realistic. As an accountant, I knew that my cash inflow was just enough for my daily transportation, meals, and occasional movies, and I understood it all. I was just happy I was working. In Makati, no less! 😎

That December, I told my parents I could not be with them during Christmas, although my mom could have found a way to send me a plane ticket. It would be the first time ever for me to be away, so I just had to accept it. I reminded myself that Christmas Day was just 24 hours, and so was New Year's Day. But I was lucky I lived at an uncle's home in Tambô, Parañaque, for free, and even luckier that he had a cook and a houseboy who watched over his house when he was away. So, I wouldn't be really alone.

A week before Christmas Day, I read in the news that Cecile Licad would be playing at the Concert at the Park, a program held at Luneta Park that featured free musical and theatrical performances. Everyone who played the piano knew who she was! The Cecile Licad! At Luneta Park! For free!😄

When I was a kid, my mother wanted me and my brother to learn how to play the piano. She was a big fan of Van Cliburn and she wanted her boys to play too. I was about 10; my brother five. She found us a piano teacher in our hometown, Mrs. Paz Certicio, and told us we were scheduled to take lessons on weekends during the school break. After his first try, my brother gave up. He told my mom he'd rather play a ukelele. I, not wanting to disappoint her, continued. My piano lessons were in the afternoons, at two and for 30 minutes. But at 2PM, a sleepy hour, those 30 minutes felt like a day! 😢

It was only when school resumed after the summer break that I appreciated the lessons! I suddenly found Music, a school subject I hated, very easy! I could read notes, tell whole notes from half notes, and even read sharps and flats effortlessly! After a few months, I was playing Beethoven's Für Elise! And after a year, I could play (with two hands) Pandango Sa Ilaw (Tempo di Valse) and Sarung Banggi without looking at the music sheet! Fascinated, I could not even explain how I was able to memorize the entire sheet and knew exactly what white key, black key, or a group of keys to press simultaneously to make it sound melodious when played in a sequence. I loved it! 😎

Unfortunately, I had to stop taking piano lessons after two years because Mrs. Certicio moved her lessons to after-class schedules. But over the years, when I watch piano concerts on TV, I would envy those virtuousos who effortlessly played those difficult pieces that were full of sharps and flats, and finger-twisting chords that I could only dream of playing, and when I read the news about our famous pianists in the Philippines like Cecile Licad and Rowena Arrieta, and their successes abroad, I was also impressed and proud! I felt I was still a pianist, but without practice!😄

Then Christmas Day came.😌

In the afternoon of December 25, 1987, a Friday, I took two jeepney rides: first, from Tambô to Baclaran; then, from Baclaran to UN Avenue. I then walked towards Luneta Park and looked for the venue. When I got there, the long benches at the front were already taken. It turned out I was not the only one excited to watch the special performance. I looked for a seat a few rows back, and waited for Ms. Nikki Coseteng, that day's emcee who was seated at the right side of the stage, to start the program. If I remember right, it was the Philippine Philharmonic Orchestra that accompanied her in the concierto.

After she was introduced, we welcomed her, not only with an excited audience's applause, but more like a homecoming palakpakan. Cecile then took her seat at the grand piano. Her audience did not care about the noise around the venue, or that the music could drift away with the Manila Bay breezes. She could just play Chopsticks and I would still give her a standing ovation.😆 

Tchaikovsky's Piano Concierto No. 1 is a very familiar piece of classical music. The first bars always got your attention; very theatrical and was always used in some dramas. And Cecile had to play (pun intended!) for more than 30 minutes what Tchaikovsky had brilliantly composed in 1875! 

As I was at the back, I had to crane my neck! Her hands were jumping up and down the ivory keys, and running from left to right and back again, her audience was mesmerized! I was enthralled! 

After the first movement, it finally sank in. I told myself this was the highlight of my Christmas! Licad! Tchaikovsky! Philharmonic! What a Christmas gift! But more than a Christmas treat, it was an experience and a dream come true!😊

In between movements, my eyes wandered around and I recognized her former husband, cellist Antonio Meneses, bespectacled and sitting at the left side of the audience on an empty bench with a baby on his lap. I thought the baby must be their son, Otavio. I guessed her family spent their Christmas holidays in Manila.🌲

After the final thunderous notes of the concierto with Cecile raising both of her hands in the air, finally  releasing the grand piano from her enslavement, I could still hear the music ringing in my ears which was now mixed with an even louder applause. We were all standing!🙏 

I could no longer remember if there was an encore, but there could have been one, or even maybe two. All I could remember was a certain realization: the coming together, in one moment, of things fascinating to me. 

I would have wanted to compare this moment to a rare planetary alignment where my fortune aligned with Mars, Venus and Jupiter in the night sky. This moment, however, was more of a confluence: I, seated in front of Cecile Licad as she played Tchaikovsky's Piano Concierto No. 1, which was the concierto Van Cliburn played that won him the 1958 Tchaikovsky Piano Competition in Moscow, and he, being my mother's favorite pianist from whom she got an idea to send me to take piano lessons.♫🎶

And when I told my mother about it the next time I came home, she could not believe it herself!😀

Looking back, I realized I was not meant to come home for the holidays that year because there was a special gift awaiting for me on Christmas Day in Manila. We should not wonder how the universe conspires to grant our wishes, or how things happen the way they do. Maybe, when you wish and you are deserving, it will come true for you too!😍

Salamat guid, Cecile Licad, Tchaikovsky, Mrs. Certicio, and my Mother!😃

(Cecile Licad playing Tchaikovsky's Piano Concierto No. 1 with the Chicago Symphony Orchestra and Sir Georg Solti conducting) 


#CecileLicad #Tchaikovsky #PianoConciertoNo1 #LunetaPark #music #pianist #classicalmusic #thankyou #salamat 

Friday 17 May 2024

Philippine History: Chapter 30 - Don Felix Montinola Memorial College of Victorias, Negros Occidental

(The bust of Don Felix Montinola that was displayed at the administration office of his school.)


In Chapter 16, I wrote about Don Felix Montinola, Sr. and his legacy in the town of Victorias, and in the same chapter (read blog here), I mentioned about his family's founding of a school two years after he died. The school was established with the encouragement and help from his nephew, Don Agustin M. Jereza, the son of Don Felix's older sister, Valentina. Don Agustin, an engineer by profession, founded his own school in Cebu City, the University of Southern Philippines (USP) that attained university status on July 8, 1949. That same year, on September 25, Don Felix died.

When he was still alive, Don Felix Montinola, Sr. already envisioned opening a school and even discussed the idea with his wife, Doña Dorotea Montinola y Magalona, and his children. In 1937, Don Felix saw firsthand the success of the University of Southern Philippines, then named The Southern College, when he visited USP in Cebu City to receive an honorary degree honoris causa. He was recognized for his contributions to the town of Victorias. Although he was the 9th mayor of Victorias, serving from 1934 to 1940, he was already an active civic leader even before he was elected mayor. In 1907, he directed stage plays to raise funds for the town's small municipio made of nipa (read Chapter 11 here). Taking after him, two of his sons, Hector and Benito, became the 12th and 14th mayors, respectively (read Chapter 21 here).

On September 24, 1951, the Don Felix Montinola Memorial Institute was set up and its location was right at the town center of Victorias, across the public plaza on a land owned by his family. The school building started with a few classrooms and gradually grew using strong timber from Mindanao and with a simple letter 'L' lay-out that would maximize the lot size over which the school would stand. The school library would be on the second floor along with the principal's  and administration offices, while most of the classrooms would be on the ground floor. There were two staircases, each with a landing, going up to the second floor, both made of sturdy wood that would produce loud thumping sounds when students ran up and down, especially when rushing late to a class. From the main entrance, one could use either the right or the left staircase going up. The school canteen, located on the ground floor, was right below the library. The canteen had big windows on its Osmeña-Highway side through which anyone at the street could buy refreshments. During recess, students and teachers could walk in to get some snacks, while other students brought their own lunch, or balon, and could in the school premises, but some students crossed over to the Victorias public plaza, sat under the shade of the big trees, and enjoyed their balon with their classmates. In those days, their balon would be wrapped in banana leaves, then wrapped again in an old newspaper. The balon was accompanied only by a spoon; no need for a fork. On rainy days, the main concrete corridor on the ground floor that connected the main entrance to the last room at the western end of the school was turned into a path where CAT officers and cadets practiced their march and drills as it was about 50 meters long. In the original design of the rooms on the ground floor, the rooms could be turned into one, big connected room as they were all separated by accordion doors that could be closed during classes and opened when there was a program or seminar. 

The entrance of the school was oriented to the southwest, facing the Osmeña Highway. The flagpole that was erected on concrete foundation in 1952 was at the eastern end of the school campus. Then, the students had a dirt playground using the adjacent lot that is now a commercial area. This dirt area used to host the sports games with the four flag poles for the colors of the freshmen, sophomores, juniors and seniors erected next to the concrete structure that housed the toilets.  In the later decades, more classrooms would be added on the second floor when the school included college courses to its curricula. In the afternoons after dismissal, the school's drum and bugle corps would practice its drills and march along the Jover and Miraflores Streets, filling the neighborhood with its lively music and drumbeats. On Saturdays, the Citizens' Army Training or C.A.T. sessions for juniors and seniors were held on the dirt playground. 

From the start of the first school year, the University of Southern Philippines had lent its support to the school by providing its experience, faculty, and curricula. This was why most of its earliest faculty members were from Cebu. USP's support made Don Felix Montinola Memorial Institute (later, Don Felix Montinola Memorial College) a popular private school with students even coming from nearby municipalities. Its tuition fees were affordable even to the daily wage earners, and its location was very convenient to the young students.

(The lady in a white dress and black belt is Miss Nita Castellano, a teacher, while the other lady is Miss Julieta Barrientos who worked in the administration office. Taken in the late 1950s along the Osmeña Highway in front of the Victorias public plaza. The school is on the right side of the photo. Read blog here.)

(March 8, 1955: the College Day celebration with the school's muse at the stage with her escort. The other pairs at the foreground are (from the left):
Virgilio Hollero and a lady from Escalante; Cesar Torema and Rosario (?) ; Igong Lozande and Thelma Seballos; Aniceto Carumba and Lilia Estribo.
The young lady in a white gown is the young Ms. Estela Fermin, a great granddaughter of Don Felix. Her father was former Victorias mayor, Jesus Fermin.)

When the school celebrated its 40th year in 1991, it published a souvenir program that included a list of past principals and assistants to the principal as well as its faculty that year. 

These are the past directors, principals, and assistant to the principals of DFMMI as appointed for the school year indicated, until 1991:

1951 - 1952: Mr. Arturo Filoteo was appointed as school director; he was affiliated with USP. Mr. Moises Villegas was the principal; he was also from USP.

1952 - 1953: Mr. Alberto Farol was appointed director and was also sent by USP. Mr. Felipe Garcia was the principal and was also from USP.

1953- 1954: Miss Mamerta Mendoza was appointed as principal; she was also from USP.

1954- 1955: Miss Mamerta Mendoza remained as principal.

1955- 1956: Miss Carmen Saso was appointed as principal; she was also from USP.

1956- 1957: Mr. Felipe Garcia was appointed as director; he was also from USP. Miss Leticia Villegas appointed as principal; she was the first Victoriahanon to become the school's principal.

1957 - 1958: Mrs. Luisa Campos-Montinola was appointed as directress, while Miss Leticia Villegas remained as principal. (Mrs. Luisa Campos-Montinola was the wife of Mr. Benito M. Montinola, son of Don Felix Montinola and also a former mayor of Victorias).

1958: Rev. Fr. Vicente Montinola became the director, while Miss Leticia Villegas remained as principal.

During the school year 1985-1986, when the school added college courses like junior secretarial and degrees in education, it tied up with the West Negros College and Dr. Potenciano Julom was appointed dean, while Mrs. Nelly H. Parreño became the principal and assistant to the dean.

For school years 1986-1987 and 1987-1988, Dr. Julom remained as dean, while Mrs. Lorna Garcia was appointed principal. From 1989 to 1991, Mss. Montserrat T. Villalba was the dean and principal. In 1990, more classroom were built on the second floor to accommodate the increasing number of high school students and the evening classes for college courses.  

(The photo above shows a section of the graduating class of 1955 with class officers sitting in front with the teachers. Those seated from the left are: Rolando Ancan (student class officer), Rosario Dequiña(?) (student class officer), Mr. Pajares, Mr. Hernani Fuentes, Miss Cui, Miss Jesena, Mr. Arturo Filoteo (director), Miss Mamerta Mendoza (principal), Miss Padilla (who later married Mr. Hernani Fuentes), Mr. Villegas, Miss Erlinda Ynayan (student class officer), and Ramon Delgado (student class officer). This was taken in front of the municipio of Victorias.)


(The photo above shows Section II-A of 1952-53, meaning Section A of second year students. The girls' sections were separated from the boys, and the higher sections were reserved for girls. The man seated in the center with hands on his lap is Mr. Arturo Filoteo.)


Featured in 40th anniversary souvenir published in 1991 were the following faculty members, the candidates for the Search for Miss DFMMC 1991, and the board of trustees and administrative staff that year:

                   College Department faculty:



High School Department faculty:




Candidates for Miss DFMMC 1991:


Board of Trustees and Administrative Staff:




By the way, in Chapter 18 of the History of Victorias City, a chapter devoted for some scary stories known in Victorias, the school was mentioned because of a 'kapre' that was believed to have been haunting its premises at night (read blog here). The 'kapre' who made his presence felt in the DFMMC grounds was 'captured' in a black-and-white photograph taken as students posed at the main entrance of the school. 😱

The photograph, which was in the possession of the school's treasurer, was borrowed by a former faculty member and was never returned. Taken during daytime, it showed a group of students standing and smiling at the entrance of the school, while the 'kapre' was seen leaning on the Jover-Street side of the building towering over the students as his height reached the windows of the principal's office. He wore white trousers and a white shirt tucked in with a black belt. His face, although seemingly complete with human features like eyes, a nose and a mouth, was shaped differently and did not exactly look like the face of any local. As an alumnus, did you have a scary story about the kapre in Don Felix?😱

Although the school closed in 2015, it produced thousands of alumni who continue to keep alive the spirit of a Felixian every year through their alumni homecoming.😋


#donfelixmontinola #donfelixmontinolamemorialcollege #victoriascity #victoriaslgu #history #historian #USP #universityofsouthernphilippines #victorias #negros #philippines 

Wednesday 10 April 2024

Concierto de Aranjuez and The Spanish Countryside

During sleepy afternoons in my office in Seoul, I always tried to always keep awake with a cup of iced cafe mocha that I would buy from a kiosk at the Sinyongsan Subway Station (in the Yongsan District) that was connected to the food arcade of our office building's basement.

During hot summer days, I didn't need to get out of a building to buy coffee. I would leave my jacket hanging on my duo-back chair (the chair is very good for those with bad back and scoliosis!), and just took the lift going to the ground floor and the escalator to the basement. 

On freezing winter days, I didn't need to wear my overcoat, just a jacket.

A few times during winter, the lady who took my order would ask me if I indeed ordered iced cafe mocha. She might have wondered why would somebody buy a cold drink when it was freezing outside. She obviously didn't know this customer that well.😄

But amidst the financial reports that I needed to work on, there was an FM radio station based in London that kept me company: Classic FM.

I would just put on my earphone that's connected my laptop and listened to the classical music of Classic FM.

Since classical music has no lyrics, the music did not interfere with what I was reading. The music kept me relaxed while the coffee kept me awake.

And a few times during the week, there was one piece of music that always distracted me. The music, mostly of classical guitar, led me to imagine the Spanish countryside as it played. The song? Concierto de Aranjuez


Concierto de Aranjuez was composed in 1939 by Joaquin Rodrigo, a Spanish composer. There was something in the music that led me to imagine I was exploring the Spanish countryside on a train. The slow tempo at the beginning plus the strums of the solo guitar and the notes of the flute all brought me to provincial Spain, and at times, I could even visualize in my mind flamenco dancers performing to the tune.  

So, when I was planning on my trip to Spain years ago, I made sure I rode the Renfe train (read blog here)

But when I was finally in Spain, and riding the train and sitting by the window, how come I didn't hear Aranjuez in my head? 😂



My trips to the countryside included rides to Alcala de Henares from Madrid (read blog here), Madrid to Santiago de Compostela (read blog here), Santiago de Compostela to A Coruña, Santiago to Barcelona, and Barcelona to Monserrat (read blog here). I guess Aranjuez would only be heard when I am actually tuned in to Classic FM!😊


I always told myself that riding the train was part of the tour, and as I was travelling alone, it was even an adventure! And the few times I got lost made the trip even more memorable! I wasn't afraid to get lost since I spoke basic Spanish, letting me chat with locals on the train, with fellow pilgrims at churches, and even with strangers from whom I asked directions one late night when I realized I was lost!😆


But before I left for home, I was happy that I was able to buy at El Corte Ingles CDs of Paco de Lucia, one of Spain's most famous classical guitarists, featuring his performance of Concierto de Aranjuez. This was recommended by my friend, Kiko Reimundez, with whom I reunited in his hometown, A Coruña. Kiko is a musician, too.

I have always said that things happen for a reason.

Classic FM introduced me to Concierto de Aranjuez, and the song gave me the dream of seeing the Spanish countryside from a train, which then gave me an idea to visit Spain.

I still have the CDs, the photos, and most important, the memories of the Spanish countryside. And of course, Classic FM still plays on my laptop.😎


                              * * * * *

If you want to listen to the hypnotizing music of Concierto de Aranjuez, do listen to Paco de Lucia.😐


And if you want to also tune in to Classic FM, do click the link:

https://www.classicfm.com/

#Aranjuez #Pacodelucia #Spain #Renfe #ClassicFM #classicalmusic #music #tourist #travelblog #ConciertodeAranjuez

Wednesday 21 February 2024

Philippine History - CHAPTER 29: Don Miguel Jose Ossorio and How He Started Victorias Milling Company

In Chapter 28, the historical timeline started with Don Miguel Jose Ossorio’s plans to set up a centrifugal mill in Manapla after his visit to Negros Island. In the book “Victorias – A History in Pictures”, published by the Victorias Milling Company, Don Miguel recounted on March 1, 1950, the year he turned 60, the origins of his sugar mills. In this Chapter, I share that story as told by Don Miguel himself while adding notes of information and explanations for better understanding.

This is Don Miguel’s story:

When Don Miguel was working as a director of Hogar Filipino, a company that provided loans to businesses in the Philippines, they wanted to visit the Negros Island with the intention of providing loans to local hacienderos who needed more capital for their sugar business . This was in 1916 when mortgages in Manila had become limited; they had to explore elsewhere.

So, Hogar Filipino appointed Don Miguel, then just 26 years old, as part of the three-man committee who would travel to the Negros Island; this was his first trip to Negros. The other two men were Don Antonio Melian, the founder of Hogar Filipino, and Jose Reguera, Hogar’s representative in Iloilo. The gentlemen engaged a certain Mr. Blanco to help them appraise sugar estates that would be used as collateral by the hacienderos for their loans. Mr. Blanco was the administrator of Hacienda Progreso in Isabela.

The first prospective borrower was Don Esteban de la Rama, a wealthy haciendero, who wanted to borrow P600,000 by offering 2,500 hectares of his land in Bago and a mill that produced centrifugal sugar. Don Esteban’s two-year old mill was manufactured by Blair, Campbell and Maclean, and was erected by him with the help of his mechanic. Don Esteban also offered warehouses he owned in Iloilo as well as a building next to the Sta. Cruz Bridge in Manila. The term of Don Esteban’s loan was 20 years.

This trip, according to Don Miguel, “proved to be a turning point in my business career” as he never thought about the sugar business because he had never set foot in the Negros Island before. In his meeting with Don Esteban, Don Miguel asked a lot of questions about the sugar business that gave him encouragement and ideas about venturing into this industry. He also learned that the Negros Island needed sugar mills and capitalists who were willing to take the risks of ordering machinery, especially that war was going on in Europe. That time, the local sugar planters were just producing muscovado sugar and were losing money because muscovado was no longer in demand; the world market was shifting to centrifugal sugar.

(NOTE: Most machines for the sugar centrals that time were ordered from Europe, specifically from Scotland, since the 1860s with the help of the British vice-consul, Nicolas Loney, who was based in Iloilo and who saw the potential both in the importation of steam-powered mills for sugar manufacturing and the export of sugar directly from Iloilo, rather than letting the product pass through Manila. He later partnered with the Scottish merchants Ker and Co., naming their firm Loney, Ker and Co. Nicolas Loney, who spoke Spanish, is credited as having modernized sugar manufacturing; the ‘Muelle Loney’ in Iloilo City was named after him. Don Miguel described the machines of Don Esteban de la Rama as having been manufactured by Blair, Campbell and Maclean, a Scottish manufacturer that must have supplied machines in Panay and Negros on credit for decades since the time of Nicolas Loney. World War I, that hampered importation of machines from Europe, started on July 28, 1914 and ended on November 11, 1918).

Mr. Blanco advised Don Miguel that, if ever he wanted to put up a sugar mill himself, the best place would be in Manapla on the northern part of the Negros Island. According to Mr. Blanco, Manapla was ideal because of steady rainfall that would allow the planting of sugar cane all-year round. Don Miguel then asked Mr. Blanco to bring him to Manapla after he was done with his professional duties in Iloilo, where Hogar Filipino also gave out loans to Mr. Guillermo Gomez, a collector of Customs in Iloilo, and his brother, Mr. Felipe Gomez, the chief of police in Iloilo, and Mr. Jose Gan, an agriculturist who received education in the US. Hogar Filipino lent money to this gentlemen for them to buy the hacienda of the Uruquijo Family in La Carlota; the said hacienda was later named San Jose. They also some of their real estate in Iloilo as collateral.

After completing his tasked as an officer of Hogar Filipino and after he was left alone in Negros Island by Don Antonio Melian who went back to Manila, Don Miguel went to visit Manapla with Mr. Blanco. While staying at Hacienda Bilbao owned by Don Benjamin Gamboa, Don Miguel on horseback visited Hacienda Begoña that was recently purchased by Ruperto Mendieta and who was building a home there, and Balolan where Don Miguel eventually built a wharf in 1918. During these visits, Don Miguel was learning everything he could about the sugar business and was envisioning his plans for planting sugarcane, milling them into sugar, and finally shipping the finished product out of the Island to be sold.
(NOTE: Don Miguel must have stayed at the home of Don Benjamin Gamboa where he later built the Gamboa Mansion; read link below to read about the burning of that Gamboa Mansion by the retreating Japanese soldiers on the last months of World War II).




Don Miguel also visited three muscovado mills in operation during his ‘educational tour’, some of these visits were during September’s drizzly weather. Some mills he tried to visit were shut down as the milling season then started in December and ended in May. And as early as this visit, he asked Mr. Blanco to gather the sugar planters owning adjacent lands so that he could convince them to sign up for preliminary milling contracts to mill on a 50-50 basis for a minimum of 250 days, the details of which were patterned from the contracts used by San Carlos Milling Company that had been in operation for three years at that time. These planters were in need of a centrifugal sugar mill as focusing on producing muscovado sugar, which was now unsaleable, would bankrupt their businesses.

After studying the sugar business and learning all he could during his trip, he immediately went back to Manila and saw the president of the Bank of the Philippine Islands, Don Eliseo Sendres, who actually knew something about ‘Manapla’ because, when Don Miguel told him that he fell in love with Negros Island and was determined to put up a 300-ton sugar mill in Manapla, Don Eliseo’s reaction was positive and agreed that ‘Manapla’ was the place to be. Don Eliseo signified to Don Miguel that his bank would help him in his venture and even wanted to invest P10,000 of his own money should Don Miguel eventually incorporate.

Now having a bank supporting his business plans, Don Miguel went to look for manufacturers who could build the mill. As European manufacturers were out of the question because of the ongoing World War I there, Don Miguel negotiated with a US company, Castle Brothers Wolf and Sons, who were represented in Manila by Honolulu Iron Works, a company that also supplied machines to other sugar mills. The company sent an engineer named Powrie to travel to Manapla in order to draw plans for a 300-ton sugar mill that would include 12 kilometers of narrow gauge railroad, warehouses, and buildings for the mill; these were all estimated to cost P1,200,000. Don Miguel was able to put up P700,000 with the balance of P500,000 to be financed by the manufacturers themselves bearing an 8% interest. On December 23, 1916, Don Miguel signed the order to purchase the machinery at the offices of Castle Brothers.
In December 1917, Don Miguel formally established North Negros Sugar Company, or NONSUCO, in Manapla, and on August 1, 1918, its mill became operational just when the sugar prices began to rise; the prices steadily rose until 1920.
Seeing that Don Miguel’s business was going to be profitable, Mr. Ramon Diaz, his friend who happened to be a bond broker, must have introduced Don Miguel to the management of a new bank, Philippine Trust Company (PTC), which was established in October 1916, in order for Don Miguel to get more capital for NONSUCO. NONSUCO successfully issued a P600,000 bond with 8% interest and a term of 20 years that was then purchased by Philippine Trust Company at 99. (The Philippine Trust Company would later become one of the oldest banks in the Philippines, alongside Bank of the Philippine Islands and Philippine National Bank).

NONSUCO’s P600,000 bonds were later sold by PTC to “the Friars” for 105.

(NOTE: In bond transactions, this means that when PTC bought the bonds from NONSUCO at 99, PTC earned a discount of 1% of the bond’s par value of P600,000. PTC paid NONSUCO P594,000 (99% of P600,000), and when PTC later sold it to the Friars for 105 of the bond’s par value, PTC received P630,000 (105% of P600,000. In total, PTC earned P36,000 from the two transactions of NONSUCO’s bonds).

(NOTE: “The Friars” referred to by Don Miguel must have been the confraternities who ran the Obras Pias, a charitable institution created by the Spaniards in 1827 to receive donations that would be used for charitable, religious and educational purposes. This organization was formally converted into a bank in 1828 but was only established in 1851 as El Banco Español Filipino de Isabel II, or Banco Español Filipino, for short. During the American colonial period, in 1912, it officially changed its name to Bank of the Philippine Islands, or Banco de las Islas Filipinos, and was later privatized.)

A year later, Mr. Phil C. Whitaker, the president of PTC helped NONSUCO issue another bond of P900,000 with a two-year term to finance the doubling of NONSUCO’s milling capacity. This was proof that the banks then had taken notice of the profitability of the sugar industry in the Negros Island and was willing to help provide capital to any sugar mill’s expansion plans, including those of Don Miguel’s NONSUCO.

As NONSUCO’s capacity had doubled, Don Miguel negotiated with the hacienderos of Victorias, courting them to mill their sugarcane with him. The sugar planters of Silay and Saravia that time were sending their sugarcane to the Hawaiian-Philippine Company that also opened in 1918-1919. Don Miguel promised the Victorias sugar planters, that included the Benedictos, Montinolas, Ascalons, Gonzagas, Ditchings, Lopezes, and the Gastons, that NONSUCO would extend its railroad network to the Victorias area in order to transport their produce to the Manapla sugar mill. He also committed that, in case their sugarcane could not be accommodated in Manapla, he would build a separate sugar mill in Victorias for them. This decision of one man, Don Miguel Jose Ossorio, singlehandedly impacted the economic, political, social, cultural and environmental aspects of the town of Victorias.

Don Miguel, in order to convince the Victorias planters, offered them 45-55 contract and the option to purchase 25% of the stock of a company he would establish Victorias Milling Company (VMC). Some of them purchased stocks worth P200,000. Those conditions and the steady rise of sugar prices in the world market forced the planters to expand and plant more sugarcane which worried Don Miguel as to whether the capacity of the Manapla sugar mill would be able to handle the rise in volume of sugarcane to be milled.

In 1920, Don Miguel and wife Paz went to Singapore to bring their sons Miguel, Luis and Jose to a boarding school there. Sending children to boarding schools were popular among rich families, although Don Miguel did not mention the name of the boarding school, except that it was the same boarding school where his mother, Doña Emilia Lapuente de Ossorio, sent him and his brothers in 1898. After Singapore, they travelled to Java, then part of Dutch East Indies, to visit the sugar mills built by the Dutch and compared the ones built by Honolulu Iron Works for him.

In June 1920, Don Miguel placed an order for a “low-type factory” for Victorias.

In 1921, the Bank of the Philippine Islands experienced financial difficulties like other banks due to the declining prices of the commodities they were financing. Due to this crisis, the Bank needed to help of the Philippine Treasury. It was then Governor-General Leonard Wood (this was now the American colonial period) who told the Archbishop of Manila, the representative of the Catholic Church as the majority shareholder of the Bank of the Philippine Islands, that in order to receive the help needed by the Bank, the Archbishop would have to agree to the appointment of an American as its president. The governor-general appointed Mr. William T. Nolting as the Bank’s president.

Don Miguel recounted that his business relationship with William T. Nolting was difficult in the beginning as Mr. Nolting was questioning why Don Miguel’s loans with the Bank reached P3,000,000 and that the loan for the Victorias sugar mill did not even have any collateral.
Although Don Miguel reasoned to Mr. Nolting that his predecessors trusted him and believed that his sugar business would be profitable, Don Miguel had to agree to mortgage the sugar mill assets for the said loan with a term of five years. Stories that Don Miguel later heard were that some of his so-called ‘friends’ told Mr. Nolting that Don Miguel did not know anything about the sugar business and that he did not really need to put up a second sugar mill in Victorias. (This part of Don Miguel’s narration just showed that earning the trust of other businessmen, especially his fellow Spaniards at that time, was an important aspect of doing business, until certain Americans with a different mindset or who did not have an understanding of the culture came along.)

To please the Americans, Don Miguel appointed Mr. Nolting as president (probably just as a figurehead of NONSUCO) but Don Miguel was still the managing director. He then asked his friend, Mr. Alfred Cooper, to sit on the two boards of directors of both NONSUCO and VMC. Don Miguel needed to stay in Manapla for six months in order to make sure both sugar mills were managed well.

It was in 1922 when fertilizer was used and both sugar mills grew and improved their own varieties to increase production in order to be an example to the local planters who were encouraged to follow.

In 1923, the price of sugar reached P15 per picul, and in 1924, the debt to the Bank of the Philippine Island decreased to P3,000,000 after reaching P3,500,000 when the Victorias sugar mill was completed. (In 1926, this debt to the Bank was all paid off after VMC issued a US$1 million bond).

In July 1924, Don Miguel confided to his good friend, Mr. Alfred Cooper, that he wished he could travel to England with his wife, Pacita, to see their sons whom they had not seen in two years, but Don Miguel worried about how he could finance the trip. At this time, the two sugar centrals were practically new in the sugar business and were in debt. Mr. Cooper’s reaction to his wish, according to Don Miguel, “was the greatest act of friendship” ever showered upon him because Mr. Cooper told him, “Your I.O.U. up to P50,000 is good with me indefinitely.” He was willing to lend Don Miguel that amount with no rush to collect.

Don Miguel was very grateful for the gesture and decided not to borrow. Instead, he would sell 50 shares of NONSUCO at the par value of P1,000 that would still amount to P50,000. At this time, NONSUCO’s capital stock amounted to P2,000,000. According to Mr. Cooper, he believed in Don Migue’s business and it was his privilege to be an investor.

Don Miguel took the P50,000 cheque and obtained a letter of credit for US$25,000 which he would use for the trip. (That time, the exchange rate was US$1 to P2.00). Don Miguel then wired Mr. Nolting, who was also on a ship en route to the U.S., telling him that he was going to England with Doña Pacita to visit their sons.

In August 1924, the couple sailed from Manila on board SS President Garfield, taking 35 days to reach Marseille, a seaport south of France. They then took a train from Marseille, probably, to Calais, another sea port but on the northern part of France. From there, they took a boat to England and finally a train to London, where they stayed at the Grand Hotel in Trafalgar Square. In October, they flew from London to Paris on Imperial Airways. This was Doña Pacita’s first flight, and the couple did not enjoy it. (Maybe Doña Pacita suffered airsickness during the flight that ruined her first experience on a plane.) On their way back to London, they just took a train and boat.

For Christmas and New Year’s, they rented an apartment at Kensington Palace Mansions so that they could be with their sons. It must have been a wonderful Christmas for Don Miguel and his family. This was his much deserved break, and probably his reward, for all the hard work and time he put in in the planning, searching for financing and expertise, establishing, negotiating with planters and his buyers, and managing the two sugar mills since 1916.

After the New Year’s celebrations (this was now January 1925), they both traveled to Madrid and stayed at Palace Hotel. According to Don Miguel, this was his first ever visit to Madrid. (His father was born in Spain but Don Miguel was born in Manila.) There, they met up with Señora Maria Alvarez, his father’s widow from the third marriage, who visited them at their hotel with her children, Maria and Carlitos. They also met up with General Manolo Reguera, his father’s old friend and a general in the Spanish army.

Another friend they saw in Madrid was Don Eugenio de Saez Orozco, the former president of Banco Español Filipino, who was a prominent man in Manila. Don Eugenio was now retired and lived with his wife and daughter in an expensive apartment in Madrid that had a chapel. (NOTE: “Don Eugenio de Saez Orozco” was Don Eugenio del Saz-Orozo de la Oz; his wife was Doña Felisa Mortera y Camacho. He was the last Spanish mayor of Manila and a president of El Banco Español Filipino. Their son, Jose Maria, was born in Manila, and became a Capuchin monk, adopting the name Jose María de Manila. He was martyred in 1936 during the Spanish Civil War and was beatified in 2013. Blessed Jose María de Manila is now the third Filipino to have been declared blessed by the Roman Catholic Church. During that visit by Don Miguel to the apartment of the Orozcos – no mention that Jose Marîa was there as well -, they would have never imagined that 11 years later, Jose Marîa would be martyred or that someday he would be venerated as ‘Blessed’.)

Don Miguel and Doña Pacita returned to London in the late January 1925. They then sailed for New York after booking their passage through American Express. Their ship, RMS Berengaria (also known as SS Imperator) was one of the biggest ships at that time. They arrived in New York in early February and was met at the pier by Don Miguel’s business friends, Mr. John M. Switzer, Mr. Webster and Mr. Pond of the Pacific Commercial Company.

In New York, Don Miguel and Doña Pacita stayed at the Pennsylvania Hotel but later moved to Roosevelt Hotel. From there, they made a trip to Havana, Cuba, via New Orleans. In Havana, they were hosted to a lavish dinner by old friends, LTC Harman Agnew and wife, Camille O’Connor Agnew, who used to live in Manila when Harman was still a captain in the US Army. They were frequent visitors at the home of the Ossorios at Padre Faura in Manila.

In April 1925, they travelled to San Francisco by train and were met at the train station by Mr. Alfred Ehrman in a red automobile which he used as an honorary chief of the fire department. The couple stayed at Palace Hotel.

While Don Miguel was in New York, he visited the International Banking Corporation to seek help in refinancing his debt of P3,000,000 from the Bank of the Philippine Islands. He asked for US$1,500,000 but was turned away because the amount was beneath the bank’s minimum of US$10,000,000. In San Francisco, it was the same. Don Miguel and the banker he met with could not agree on the terms.

On their way home to Manila, the ship they sailed on, SS President Taft, stopped briefly in Honolulu, Hawaii. Mr. John Fleming of the Pacific Trust Company met the couple and introduced Don Miguel to the presidents of four local banks to whom Don Miguel presented the financials of VMC and his quest for a loan. These meetings must have helped because in 1926, Don Miguel was able to negotiate with Pacific Trust Company through cable, meaning, through long-distance communications, for a US$1,000,000 bond issue. As Pacific Trust had an office in Manila, the paper work was completed there with the terms of 7.5% interest over 15 years and sold at 95.

Later, when Mr. Francis Greenfield, the manager of NONSUCO, was vacationing in Hawaii, a banker asked him about “Victorias”, meaning the sugar mill. Mr. Greenfield told him that the owners of Victorias were the same owners of the one he was managing and that they always put savings into their stock. These words spread around Honolulu and made VMC bonds popular, meaning, a lot of investors bought the said bonds and VMC was able to get the US$1,000,000, allowing Don Miguel to pay the Bank of the Philippine Islands his loan of P3,000,000, and to finally get William Nolting off his back, so to speak.

(NOTE: When Don Miguel came home that year, a two-day thanksgiving celebration was held for producing the first large crop of 23,743 metric tons. Also, in December 1925, NONSUCO celebrated its 8th year.)

Don Miguel recalled that he finally heaved a sigh of relief when “the day the bonds were signed was the first time I could say I was really out of the woods financially after building the two centrals at Manapla and Victorias.” He was sure then that the two sugar centrals would be able to stand on their own and pay for the bonds, while providing employment for thousands and at the same time, taking care of their families, but most of all, produce the sweetest sugar ever.

This is where Don Miguel Jose Ossorio ended his narration.
* * * * *


Don Miguel’s story above, documented in 1950, happened when the repairs and rehabilitation of the mills, trains, machines and facilities of Victorias Milling Company were already completed. VMC must have benefited from the Philippine War Damage Act of 1946 that created the Philippine Commission that paid qualified beneficiaries, including US$13.1 million to sugar centrals all over the Philippines.

Immediately after World War II was declared over and the rehabilitation started, Don Miguel’s kindness extended, not only to his employees, but also to the sugar planters and their families by letting families live in the VMC compound while they rebuilt their homes that were destroyed during the war. They included the family of Don Felix Montinola whose mansion in front of the public plaza was deliberately set on fire by the guerillas so that it would not be used by the Japanese Imperial Army in 1942. Don Miguel offered the family of Don Felix Montinola to temporarily stay at one of the houses along the so-called Palm Avenue in the VMC compound while their new house in Victorias was being built. Their friendship dated back in the early days of NONSUCO when Don Miguel 'courted' the hacienderos in the Victorias area. At one instance, Don Miguel even offered Don Felix to choose which lands the latter wanted for his sugar plantation; Don Felix declined the offer. (Read the link below about Don Felix Montinola, former mayor of Victorias).

https://apinoyinkorea.blogspot.com/2019/11/philippine-history-chapter-16-don-felix.html

In all my research, readings, conversations with locals, and analyses of the personalities, events, and deeds of the people of Victorias of the past, I concluded that there are a very few worthy of a monument built in their honor and memory. On Chapter 4 and Chapter 6 (links provided below), I concluded that CAPITANA TUTANG and former mayor, ESTEBAN JALANDONI, are worthy of having a monument built in their honor.


https://apinoyinkorea.blogspot.com/2019/11/philippine-history-chapter-6-eliodoro.html

Capitana Tutang was a legend in the 1880s for her bravery and contributed to the story about Nuestra Señora de Las Victorias. Esteban Jalandoni, who came to Victorias on July 31, 1901, to work as the municipal secretary the next day, and finally was elected mayor in 1928, served the people of Victorias and left behind his memoirs that were rich of historical records.
But also during my research, I discovered one classic example of historical negationism perpetrated by the people in position who put up a monument in the Victorias public plaza and approved an ordinance for a person they claimed donated the land where the current city hall and public plaza stand. I found out that the document (the Memoirs of Esteban Jalandoni) that they used to back up the said ‘claim’ is the same document that pointed to the northern banks of the Magnanud River as the exact location of the small land donation. And to get more evidence to prove that I was right, I wrote the National Historical Commission of the Philippines in 2019 about the ‘monument’; the Commission wrote me back telling me that they had no idea about the said person or his monument in Victorias. Let us all be vigilant about these issues that involve our history. Let’s not allow people in position to deceive us with their own version of fake history and use taxpayers’ money to perpetrate it for their own political agenda. (Read Chapter 8 and Historical Negationism on the links below).
Now, going back to Don Miguel.

After having learned about what Don Miguel had achieved as a hardworking and intelligent businessman, a generous employer, a philanthropist and a visionary, I now add DON MIGUEL JOSE OSSORIO to this list.

What he had done for VMC and its employees, Victorias and its people, business enterprises, organizations, schools, religious orders, and a lot more in the Philippines and overseas (that probably we would never know) could never be quantified nor matched by any other Victoriahanon.

He, like Nicolas Loney in Iloilo, deserves a monument standing tall and respected on a cleared plantation in Victorias. While Nicolas Loney is described as the “Father of the Sugar Industry in the Philippines”, Don Miguel is the “Godfather of Victorias.”

In the words of Mr. Claudio Luzuriaga, Jr., “Don Miguel was a fair, kind and helpful man.” A story told by Mr. Claudio Luzuriaga, Sr. was that when he had difficulty paying his loan to the bank for the amount he used to buy his Hacienda Progreso, Don Miguel paid that loan and simply told Mr. Claudio Luzuriaga, Sr. that he could pay back Don Miguel only when he was able to. Mr. Claudio Luzuriaga, Jr. also recalled that during his long-distance conversations with Don Miguel (when he was already retired and lived in Connecticut), Don Miguel would always ask, “What more can I do for my people?” This just shows his mission in life was not to make money; it was to provide, not just employment, but to look after the welfare of his employees and their families as well. Don Miguel lived the words benevolence, generosity, charity, and kindness.


Don Miguel Jose Ossorio’s parents were born in Spain; they were called peninsulares, meaning Spaniards born in the Spanish Peninsula. Since Don Miguel was born in Manila, Philippines, on October 1, 1890, he was an insular, meaning ‘from the islands’, or a Spaniard born in the Philippine islands. Don Miguel was sent to boarding schools in St. Edmund’s in Ware, England, the oldest Catholic school there, and later to the Christian Brothers School in Gibraltar. He married Maria Paz Yatco in 1910, a daughter of Don Luis Ronquillo Yatco, a rich ship owner whose fleet included 148 ships, a steamboat and Chinese junks that sailed to ports all over the country.

Don Miguel’s last visit to VMC was in 1962. He died on October 25, 1965, in Greenwich, Connecticut, USA. He was 75.

Photos and other credits: “Victorias – A History in Pictures”, Mr. David Granada, photographer, Mrs. Mona Magno-Veluz, Mrs. Aurora Delgado, ANC, California Digital Library, Ancestry.com, Duke University, U.P.-Economics Department

#history #victoriaslgu #VictoriasCity #historyblog #history #victoriasmillingcompany #VMC #sugar #historyfacts #Negros #NegrosOcc #historian #victoriashistory #PhilippineHistory #nicolasloney #muelleloney #loney #alfonsoossorio #jacksonpollock #blessedjosemariademanila #bancoespanolfilipino #BankofthePhilippineIslands #BPI